坐卧两用室

  • 丽塔·塔欣厄姆 拉尔夫·理查德森 彼得·库克
  • 120分钟
  • 这是Richard Lester最好的一个片。  An absu… 这是Richard Lester最好的一个片。  An absurdist classic  This is a wonderful surreal comedy based on the play by Spike Milligan and John Antrobus. You know that it is going to be an odd film right at the beginning, when the opening credits list the cast in order of their height. The film begins with the BBC (Frank Thornton) telling us through the facade of an old television that this is the third, or is it the fourth, anniversary of the shortest war in history, lasting 2 hours and 28 minutes. England is now a barren landscape, littered with derelict cars and buildings, hills of old boots, broken crockery, and other debris. Forty million people perished and there are only 20 known survivors. The Queen did not survive, and of the 20 known survivors the next in line for the throne is a Mrs Ethel Schroake of 393a High Street, Leytonstone. Among the other survivors are Ralph Richardson (O Lucky Man!) as Lord Fortnum of Alamein, who isn't looking forward to his impending mutation into a bed sitting room. Michael Hordern is Bules Martin, who wears a 18-carat Hovis bread ring. Spike Milligan is a postman who wanders around and delivers some memorable dialogue, for example And in come the three bears - the daddy bear said, 'Who's been sleeping in my porridge' - and the mummy bear said, 'that's no porridge, that was my wife' . Arthur Lowe is slowly turning into a parrot (which is then eaten by Spike Milligan), while his wife, the owner of her own death certificate, turns into a wardrobe. His daughter is pregnant with a strange creature, which she has held inside her for seventeen months. Peter Cook and Dudley Moore are a pair of policemen who perpetually tell the others to keep moving!. Moore growls a lot and turns into a dog at the end. Marty Feldman is a wellington-boot-wearing nurse. It's a hilarious, absurdist treat, and one of my treasured filmic pleasures.
剧情简介
影片影评
经典台词
人物角色
《坐卧两用室》(The Bed Sitting Room)是1969年上映的一部英国喜剧电影,由理查德·莱斯特执导。影片以嬉皮士文化盛行的六十年代为背景,讲述了一群年轻人在伦敦郊区的一个小屋里度过混乱而荒诞的一天一夜的故事。主角班克斯(Banks)是一位年轻的音乐人,他与女友凯西(Cathy)以及一群朋友住在一起,生活充满了自由、迷幻和反叛的精神。然而,这种看似无忧无虑的生活很快被打破——他们的房子即将被拆迁,而他们试图阻止这一决定的努力却引发了一系列荒唐可笑的事件。影片通过夸张和讽刺的手法,展现了当时年轻人对传统社会结构的挑战和对个人自由的追求。整个故事节奏轻快,情节跳跃,充满着幽默感和时代特色。
《坐卧两用室》以其独特的黑色幽默和深刻的讽刺,成为后核战题材电影中的经典之作。影片的剧本充满了荒诞和讽刺,通过夸张的情节和台词,揭示了人类在极端环境下的荒谬行为。导演理查德·莱斯特以其标志性的快速剪辑和荒诞的视觉风格,成功地将一个绝望的世界呈现得既可笑又可悲。演员们的表演也非常出色,尤其是那些在荒诞情节中依然保持严肃的角色,使得影片的讽刺效果更加突出。从历史价值来看,影片反映了冷战时期人们对核战的恐惧,以及对现代社会制度的质疑。尽管影片上映时并未获得广泛的商业成功,但随着时间的推移,它逐渐被认可为一部具有深刻社会意义的作品。
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“我们不能让外人知道家里的情况。”
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“这地方连只老鼠都容不下!”
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“你能不能别总是发牢骚?”
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“我受够了这种生活!”
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“如果你不闭嘴,我就把你扔出去!”
Mr. Hopkins
🎭演员:Michael Hordern
作为家中的顶梁柱,Mr. Hopkins代表了一种传统的父权形象。他在战乱中努力维持家庭秩序,但面对家人的情绪爆发却显得无能为力。他的角色揭示了男性在战争压力下的脆弱与无力,同时也反映出家庭权威在危机时刻的崩溃。
Mrs. Hopkins
🎭演员:Rachel Roberts
Mrs. Hopkins是一个情绪化的母亲形象,她的抱怨和焦虑体现了女性在战争环境中的无助感。她不仅是家庭的黏合剂,也是矛盾的催化剂。她的表演细腻而富有层次,成功刻画了一个被现实压垮的家庭主妇。
Son
🎭演员:John Standing
这位儿子的角色象征着年轻一代对传统束缚的反抗。他在影片中表现出叛逆和愤怒,是对父母权威的一种挑战。他的存在强化了代际冲突的主题,并推动剧情向高潮发展。
Neighbor
🎭演员:Maurice Denham
邻居的角色虽然戏份不多,但却是整个家庭动态变化的重要推手。他带来了外界的压力和干扰,使原本就紧张的家庭关系更加复杂化。他的出现象征着外部世界对个人生活的侵扰。

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