我杀的那位

  • 莱昂纳尔·巴里摩尔 南茜·卡罗尔 菲利浦·霍尔姆斯 Louise Carter Lucien Littlefield 汤姆·道格拉斯
  • 120分钟
  • Haunted by the memory of Walter Holderlin, a soldi… Haunted by the memory of Walter Holderlin, a soldier he killed during World War I, French musician Paul Renard (Phillips Holmes) confesses to a priest (Frank Sheridan), who grants him absolution. Using the address on a letter he found on the dead man's body, Paul then travels to Germany to find his family.  As anti-French sentiment continues to permeate Germany, Dr. Holderlin (Lionel Barrymore) initially refuses to welcome Paul into his home, but changes his mind when his son's fiancée Elsa identifies him as the man who has been leaving flowers on Walter's grave. Rather than reveal the real connection between them, Paul tells the Holderlin family he was a friend of their son, who attended the same musical conservatory he did.  Although the hostile townspeople and local gossips disapprove, the Holderlins befriend Paul, who finds himself falling in love with Elsa (Nancy Carroll). When she shows Paul her former fiancé's bedroom, he becomes distraught and tells her the truth. She convinces him not to confess to Walter's parents, who have embraced him as their second son, and Paul agrees to forego easing his conscience and stays with his adopted family. Dr. Holderlin presents Walter's violin to Paul, who plays it while Elsa accompanies him on the piano.  The film's original title, The Man I Killed, was changed to The Fifth Commandment to avoid giving wrong impressions in the minds of the public about the character of the story. It ultimately was released as Broken Lullaby.
剧情简介
影片影评
经典台词
人物角色
1932年魏玛共和国末期,恩斯特·刘别谦以一战停战为背景执导《我杀的那位》。主角汉斯(保罗·卢卡斯饰)是德国年轻士兵,1918年停战前夕误杀法国士兵。战后他背负罪孽,伪装身份寻找对方家人,在巴黎郊外遇见死者遗孀玛丽(达尼尔·达黎欧饰),却发现玛丽的丈夫皮埃尔曾是抵抗德军的游击队员,其父亲是被德军处决的法国教师。两条命运线在战争废墟碰撞:汉斯的愧疚与玛丽的仇恨反复拉扯,他在寻找真相中揭开皮埃尔与自己童年玩伴同名,最终共同面对战争创伤。影片以“寻找”为主线,将个人道德困境与历史悲剧融合,用黑色幽默解构“敌我分明”的战争叙事,每个场景都成为历史注脚,探讨人性救赎与复杂性。
《我杀的那位》以其深刻的剧本和出色的表演成为影史经典。刘别谦通过细腻的镜头语言和紧凑的叙事,将卡尔的内心世界展现得淋漓尽致。影片的剧本不仅探讨了战争创伤,还深刻揭示了人性的复杂性与社会的冷漠。演员的表演极具感染力,尤其是主角卡尔的表现,将角色的痛苦与挣扎刻画得入木三分。从历史价值来看,这部影片是魏玛共和国时期电影艺术的代表作之一,反映了当时社会的普遍心理状态。它不仅是一部艺术杰作,更是一面镜子,映照出战争对人类精神的摧残。

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